Svea Braeunert

Svea Suzanne Braeunert

DAAD Visiting Associate Professor

Old Chemistry Building

728D

A&S German Studies - 0372

Old Chemistry 728D

Professional Summary

Svea Braeunert is DAAD Visiting Associate Professor in German Studies and an Affiliate in Film and Media Studies. Her research interests include 20th and 21st century art, literature, and film, media theory and visual culture, concepts of memory, trauma, and deferred action, and gender studies. She is the author of Gespenstergeschichten: Der linke Terrorismus der RAF und die Künste (Kadmos 2015) and the co-author and co-curator of To See Without Being Seen: Contemporary Art and Drone Warfare (University of Chicago Press 2016) and Method: Sasha Kurmaz (Kehrer 2016).

Currently, she works on a book project on Media Cultures of Drone Warfare. Further projects revolve around the presence of aerial warfare in literature, architecture, and photography, forensic aesthetics, liquid states, and a theory of the moving image.

Please feel free to contact her about funding opportunities for studying and researching in Germany as well as about questions regarding German academia and culture.

Education

Dr., Humboldt-Universität zu Berlin Berlin, 2013 (Modern German Literature)

MA, Humboldt-Universität zu Berlin Berlin, 2007 (Modern German Literature, Cultural Studies, History)

Publications

Peer Reviewed Publications

Svea Braeunert, Meredith Malone (2019. )To See Without Being Seen: Critical Concepts and Curatorial Approaches Informing the Exhibition on Contemporary Art, Drones, and Surveillance .Media-N: The Journal of the New Media Caucus, ,13 (1 ),39-56

Braeunert, Svea (2014. )Ruins and Fragments: Air War’s Mnemonic Architectures .Widok, ,4 ,http://pismowidok.org/index.php/one/article/view/124/245

Braeunert, Svea (2013. )An Archival Impulse: The Return of 1970s Leftwing Terrorism in Contemporary German Art .Widok, ,2 ,http://pismowidok.org/index.php/one/article/view/43/74

Braeunert, Svea (2011. )Video und Avantgarde: Zum Verhältnis von Kunst, Massenmedien und Terrorismus in Klaus vom Bruchs Das Schleyerband .Seminar, ,47 (1 ),27-45

Bräunert, Svea (2010. )Transformationsraum Fotografie: Berlin-Hellersdorf am Übergang von DDR zu BRD .German Life and Letters, ,63 (4 ),417-440

Bräunert, Svea (2008. )Looping the RAF: Popkulturelle Erinnerungsstrategien in Arbeiten von Johannes Wohnseifer und Erin Cosgrove .literatur für leser, ,31 (2 ),111-124

Bräunert, Svea (2003. )Alles nur Klischee? Inszenierungen von Körperlichkeit, Geschlechtlichkeit, Ethnizität auf dem Karneval der Nationen (1973) und dem Karneval der Kulturen (2003) .Kulturation: Online Journal für Kultur, Wissenschaft und Politik, ,http://www.kulturation.de/ki_1_thema.php?id=33.

Other Publications

Braeunert, Svea; van Houtryve, Tomas (2019. )Empathy and the Image under Surveillance Capitalism: Interview with Tomas van Houtryve .Drone Imaginaries: Aesthetics and Communities, Manchester UP

Bräunert, Svea (2017. )Jede Geste zählt: Bericht aus Cincinnati .duz, 12 ,40-41

Bräunert, Svea (2017. )Markus Draper: Durchleuchten .textem,

Bräunert, Svea; Kurmaz, Sasha (2016. )Conversation .Method: Talents 38, 31-41 C/O Berlin, Kehrer

Bräunert, Svea; Kurmaz, Sasha (2016. )Gespräch .Method: Talents 38, 30-40 Kehrer

Bräunert, Svea (2016. )Einführung zur Ausstellung Zwei Arbeiten von Arne Schmitt .http://www.k-strich.de/ausstellung/zwei-arbeiten Galerie K’

Bräunert, Svea (2016. )Die Kunst der Drohne .Märkische Allgemeine Zeitung,

Braeunert, Svea (2015. )Importer la guerre à domicile. Comment les artistes réfléchissent le regard du drone .mcd: magazine des cultures digitales, 78 ,66-69

Bräunert, Svea (2011. )Catalog Entries on Franz Ackermann, Cosima von Bonin, Thomas Demand, Hans-Peter Feldmann, Isa Genzken, Sergej Jensen, Michel Majerus, Manfred Pernice, Wolfgang Tillmans, Charline von Heyl, Corinne Wasmuht .Precarious Worlds: Contemporary Art from Germany, Mildred Lane Kemper Art Museum, University of Chicago Press

Bräunert, Svea; Böttcher, Anke Paula; Cody, Sara (2009. )Eine Chronologie: Zwei deutsche Staaten, 1945-1990 .Kunst und Kalter Krieg: Deutsche Positionen 1945-89, 383-429 DuMont

Bräunert, Svea Böttcher, Anke Paula; Cody, Sara (2009. )Chronology: Two Germanys, 1945-90 .Art of Two Germanys: Cold War Cultures, 383-429 Abrams

Published Books

Bräunert, Svea; Malone, Meredith (2016. )To See Without Being Seen: Contemporary Art and Drone Warfare .St. Louis, Chicago ,Mildred Lane Kemper Art Museum, University of Chicago Press

Bräunert, Svea; Kurmaz, Sasha (2016. )Method: Talents 38 .Berlin, Heidelberg ,C/O Berlin, Kehrer

Bräunert, Svea (2015. )Gespenstergeschichten: Der linke Terrorismus der RAF und die Künste .Berlin ,Kadmos

Book Chapter

Bräunert, Svea (2019 )Nicht-Sichtbarkeit und Nicht-Sehen: Hito Steyerls apophäne Umschreibungen eines Drohnenbildes. Nach der ikonischen Wende: Aktualität und Paradigmas .Berlin,Kadmos

Bräunert, Svea (2019 )Schwerbelastungskörper museumstadterinnerung .

Braeunert, Svea (2017 )Post Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fast's 5,000 Feet is the Best (2011) Visualizing War: Emotions, Technologies, Communities .(pp. 95-109).New York,Routledge

Braeunert, Svea (2017 )Deferring Perspective in Times of Urgency: Louise Lawler Looks at Gerhard Richter's Painting of the Air War Art, War, and Trauma. German Visual Culture Volume 5 .(pp. 271-296.).Bern,Peter Lang

Bräunert, Svea (2016 )To See Without Being Seen: Contemporary Art and Drone Warfare To See Without Being Seen: Contemporary Art and Drone Warfare .(pp. 11-25).St. Louis, Chicago,Mildred Lane Kemper Art Museum, University of Chicago Press

Bräunert, Svea (2016 )Vertikale Selbst- und Feindbilder: Wie uns die Drohne sehen lässt Politische Aporien: Akteure und Praktiken des Dilemmas .(pp. 229-251).Vienna,Turia + Kant

Bräunert, Svea (2016 )Isa Genzken: Bill II (2001) and Little Crazy Column (2002) Spotlights: Collected by the Mildred Lane Kemper Art Museum .(pp. 242-247).St. Louis, Chicago,Mildred Lane Kemper Art Museum, University of Chicago Press

Bräunert, Svea (2016 )Allan Sekula: Volunteer’s Soup (2002/3) Spotlights: Collected by the Mildred Lane Kemper Art Museum .(pp. 248-252).St. Louis, Chicago,Mildred Lane Kemper Art Museum, University of Chicago Press

Bräunert, Svea (2016 )Fotografischer Situationismus Method: Talents 38 .(pp. 10-28).Berlin, Heidelberg,C/O Berlin, Kehrer

Bräunert, Svea (2016 )Photographic Situationism Method: Talents 38 .(pp. 11-29).Berlin, Heidelberg,C/O Berlin, Kehrer

Bräunert, Svea (2015 )A Democracy in Viewing Roland Wirtz: immediatus .(pp. 209-223).Cracow,Bunkier Sztuki Gallery of Contemporary Art

Bräunert, Svea (2015 )Eine Demokratisierung des Sehens Roland Wirtz: immediatus .(pp. 107-124).Cracow,Bunkier Sztuki Gallery of Contemporary Art

Bräunert, Svea (2015 )Demokracja w patrzeniu Roland Wirtz: immediatus .(pp. 23-38).Cracow,Bunkier Sztuki Gallery of Contemporary Art

Bräunert, Svea (2014 )Speaking to the Ghosts of a Present Past: Yael Bartana In the Aftermath of Trauma: Contemporary Video Installations .(pp. 40-45).St. Louis, Chicago,Mildred Lane Kemper Art Museum, University of Chicago Press

Bräunert, Svea (2010 )Ghostly Sisters: Feminist Legacies in Second-Generation Perspectives on West German Terrorism: Judith Kuckart’s Wahl der Waffen (1990) and Kaiserstraße (2006) Generational Shifts in Contemporary German Culture .(pp. 161-183).Rochester,Camden House

Bräunert, Svea (2010 )Soundscape Stammheim Ikonographie des Terrors? Formen ästhetischer Erinnerung an den Terrorismus in der Bundesrepublik 1978-2008 .(pp. 199-221).Heidelberg,Winter

Bräunert, Svea (2009 )The RAF and the Phantom of Terrorism in West Germany Art of Two Germanys: Cold War Cultures .(pp. 260-272).New York, London,Abrams

Bräunert, Svea (2009 )Die RAF und das Phantom des Terrorismus in der Bundesrepublik Kunst und Kalter Krieg: Deutsche Positionen 1945-89 .(pp. 260-272).Cologne,DuMont

Bräunert, Svea (2009 )Living Sculptures, Living Dandys: Gilbert & George Depressive Dandys: Spielformen der Dekadenz in der Pop-Moderne .(pp. 160-177).Cologne, Weimar, Vienna,Böhlau

Bräunert, Svea (2009 )(Un-)heimliche Orte: Architekturformen, Landschaftsbilder und Grenzpassagen in RAF-Filmen der Gegenwart Heimat und Fremde. Selbst-, Fremd- und Leitbilder in Film und Fernsehen .(pp. 135-152).Munich,Meidenbauer

Bräunert, Svea (2008 )Spektrale Identitäten: Fotografische Erinnerungsräume in Arbeiten von Sophie Calle und Monika Maron NachBilder der Wende .(pp. 84-103).Cologne, Weimar, Vienna,Böhlau

Bräunert, Svea (2008 )Konspirative (Kunst-)Räume. Andree Korpys’ und Markus Löfflers multimediale Installation Konspiratives Wohnkonzept „Spindy“ (1998-2001) NachBilder der RAF .(pp. 232-245).Cologne, Weimar, Vienna,Böhlau

Bräunert, Svea (2004 )„Und ich weiß noch immer nicht, wer ich bin.“ Weibliche Autorschaft bei Drewitz, Fleißer, Kaschnitz und Bachmann „Von der Unzerstörbarkeit des Menschen.“ Ingeborg Drewitz im literarischen und politischen Feld der 50er bis 80er Jahre .(pp. 283-295).Bern, Berlin, Bruxelles,Peter Lang

Braeunert, Svea; Tuck, Sarah; Wolthers, Louise (2019 )Watched by Drones: Photographic Surveillance in Art, War and Protest (W)archives: Archival Imaginaries and Contemporary Wars .Berlin,Sternberg

Bräunert, Svea (2019 )Archiveffekte: Wie Arwed Messmer Bilder der RAF (nicht) zeigt Hin- und Wegsehen! Erscheinungsformen der Gewalt im Kräfteverhältnis zwischen Bild und Betrachter .Berlin,DeGruyter

Braeunert, Svea (2019 )On the (Dis-)Appearance of the Human Figure: Imaging Drone Warfare Drone Imaginaries: Aesthetics and Communities .Manchester,Manchester UP

Additional Publications

Presentations

Invited Presentations

(2017. )Drohnenbilder: Dokumente des (Nicht-)Gesehenen als Nicht-Sehen bei Hito Steyerl .Nach der ikonischen Wende: Aktualität und Paradigmas. , Zürcher Hochschule der Künste.

(2017. )Nach dem Trauma: Das RAF-Gespenst der Gegenwart oder Die Wiederkehr des Dokuments als Bild .Re-Framing RAF: Terrorismus in der audiovisuellen Erinnerungskultur, Zentrum für Zeithistorische Forschung. Potsdam.

(2017. )Spotlight Talk: Isa Genken's Columns .Mildred Lane Kemper Art Museum, Washington University in St. Louis.

(2017. )Migrant Images, Precarious Identifications: On the Visual Politics of Art .European Studies Workshop: Encoding/Decoding Europe, University of Cincinnati.

(2016. )Drifting Around Berlin Looking for – What? Jan Ole Gerstner's A Coffee in Berlin (2012) .The University of Texas Arlington.

(2016. )Sichtverhältnisse: Über Drohnen und Kunst .Universität Potsdam,

(2016. )Eröffnungsvortrag zur Ausstellung von Arne Schmitt .Galerie K’. Bremen,

(2016. )Specters of Terrorism: Media Theory and Cultural History in West Germany .University of Chicago,

(2016. )To See Without Being Seen: Bericht über eine Kunstausstellung zum Drohnenkrieg .Brandenburg Center for Media Studies. Potsdam,

(2016. )Literatur und Brutalität. Ein Gespräch mit Clemens Meyer .Literaturhaus Stuttgart,

(2015. )Sichtverhältnisse: Über Drohnen, Krieg und Kunst .Central Institute for Art History. Munich,

(2015. )Licht und Auge Gottes: Wie die Kunst das Versprechen der Drohne bricht .Technologien des Glaubens: Schubkräfte zwischen technologischer Entwicklung und religiösen Diskursen. Landesforschungsschwerpunkt Aufklärung – Religion – Wissen an der Martin-Luther-Universität in Halle-Wittenberg in Zusammenarbeit mit der Franckeschen Stiftungen und der Na-tionalen Akademie der Wissenschaften Leopoldina,

(2015. )Transformation Images: Wall and Bunker as Spaces for Art and Memory .Bunkier Sztuki. Cracow,

(2015. )Bringing the War Home: How Visual Artists Return the Drone’s Gaze .Transformation of Human Experience in Virtual Frontlines of Conflict. CRIC – Centre for Resolu-tion of International Conflicts. University of Copenhagen,

(2014. )Waging War Through Images: Drones’ Precarious Visions .Vanderbilt University,

(2014. )Waging War Through Images: Drones’ Precarious Visions .Gestaltung operativer Bilder. Cologne International School of Design,

(2014. )Artist Talk with Nasrin Tabatabai & Babak Afrassiabi (Pages) .Das interessierte Auge. Praxis und Theorie des Visuellen. Universität Potsdam,

(2014. )Die Gefährdung des Auges: Die Drohne als künstlerisches Denkbild .Winter School Die Arbeit am Widerstand. Politik im Zeitalter der Subjektivierung. Doktoratskolleg Arts & Politics an der Universität Innsbruck,

(2014. )Traumatic Terrorism: From the Ghost of Leftwing Terrorism to 9/11 and the War on Terror .Mildred Lane Kemper Art Museum. St. Louis,

(2014. )Gespenstergeschichten: Der linke Terrorismus der RAF und die Künste .RAF – Terror im Südwesten. Haus der Geschichte Baden-Württemberg. Stuttgart,

(2014. )Podiumsdiskussion mit Gerd Conradt, Klaus Pflieger, Thomas Hecken .Ausstellung RAF – Terror im Südwesten. Haus der Geschichte Baden-Württemberg. Stuttgart,

(2014. )Prekäre Perspektiven: Künstlerische Reflexionen der Kriegsführung aus der Luft .Fachhochschule Potsdam,

(2014. )Zurücksehen: Drohnen in der Gegenwartskunst .Universität Potsdam,

(2013. )Ruins and Fragments: Air War’s Mnemonic Archite .Widok Seminar IV: Ruination. In cooperation with Goethe Institut Warsaw,

(2012. )An Archival Impulse: The Return of 1970s Leftwing Terrorism in Contemporary German Art .Polish Academy of Science. Warsaw,

(2012. )Von Gespenstern und Phantomen: Geschlecht in der Erinnerungskultur des deutschen Linkster-rorismus .Ringvorlesung Geschlecht als Wissenskategorie: Perspektiven des Graduiertenkollegs auf Vergeschlechtlichungen von Wissensproduktionen und Wissensobjekten. Humboldt-Universität zu Berlin,

(2011. )Stadt. Raum. Fotografie: (Ost-)Berlin in der Kunst der 1990er-Jahre .Cornell University,

(2010. )Terrorismus als multidirektionale Erinnerung: Deutschland im Herbst (1977/78) und Deutschland 09 (2009) .Universität Göttingen,

(2007. )Strategien der Lokalisierung und Vergegenwärtigung: Johannes Wohnseifer spindy (1995) und Andree Korpys/Markus Löffler Konspiratives Wohnkonzept „Spindy“ (1998-2001) .Humboldt-Universität zu Berlin,

Paper Presentations

(2016. )Nebenschauplätze: Leftwing Terrorism, Media Theory, and Art .Columbus.

(2016. )Painting the Target: Anamorphic Views on Aerical Warfare by Richter/Lawler. San Diego.

(2015. )Terrorism and Aerial Warfare: Multidirectional Memories from the German Autumn to 9/11 .Turku University.

(2014. )The Trauma of Drone Warfare and its Place in Visual Culture .University of Southern Denmark, Odense.

(2014. )Precarious Eyes: Imaging the Drone Pilot’s Perception in Contemporary Video Art .Kansas City.

(2014. )Zu viel und doch zu wenig: Verletzlichkeit und Sichtbarkeit .DFG-Graduiertenkolleg Sichtbarkeit und Sichtbarmachung an der Universität Potsdam in Koope-ration mit dem Exzellenzcluster Bild, Wissen, Gestaltung an der Humboldt-Universität zu Berlin.

(2013. )„Eine Bewegung in den Gefühlen“: Terrorism as Multidirectional Memory or Looking at Gerhard Richter’s October 18, 1977 (1988) after September 11, 2001. Denver.

(2012. )Terrorism & Guerilla: Towards a Theoretical Framework for Cultural Analysis. Milwaukee.

(2010. )A Generational Impulse? Screening the RAF in Post-Wall Cinema .San Francisco.

(2010. )Transforming Identities: Tracing the (Post-)Socialist Spaces of Berlin-Hellersdorf .Montreal.

(2010. )Objects of Repression: Terrorism and Material Culture in Post-War Germany .St. Louis.

(2009. )Replaying Terror. Prosthetic Memories of the RAF and the German Heritage Film .Washington DC.

(2009. )Between Trauma and Phantom. West German Terrorism, Theory and the Arts .Universität Konstanz.

(2009. )Terrorismus, Film und Erinnerung. Überlegungen zu Uli Edels Der Baader Meinhof Komplex (2008) .Universität Erfurt.

(2009. )Terrorismus und Avantgarde. Die Rote Armee Fraktion und die mediale Entgrenzung der Künste .Universität Leipzig.

(2008. )The Specter of Terror(ism). Violence and the Uncanny in West German Art from 1972 to the Present .Tate Liverpool.

(2008. )Soundscapes des Terrorismus. Film, Musik und das ‚offene Ende’ der RAF-Imaginationen .. Zentrum für Medien und Interaktivität in Zusammenarbeit mit dem Institut für deutsche Literatur an der Justus-Liebig-Universität Gießen.

(2008. )Un-)Heimliche Orte. Architekturformen, Landschaftsbilder und Grenzpassagen in RAF-Filmen der Gegenwart .Zentrum für Wissenschaft & Forschung Medien in Leipzig in Zusammenarbeit mit dem Institut für Medienwissenschaft an der Universität Leipzig.

(2005. )Erinnerungsraum DDR?! Monika Maron im literarischen Feld nach 1989 .Yale University.

(2005. )„Du sprichst dauernd von Liebe!“ Transgenerationelle Traumatisierungen in Ulla Hahns Roman Unscharfe Bilder .Washington University in St. Louis.

(2003. )Alles nur Klischee? Inszenierungen von Körperlichkeit, Geschlechtlichkeit, Ethnizität auf dem Karneval der Nationen (1973) und dem Karneval der Kulturen (2003) .

Event Organized

Exhibition Connection Lost: Intering the Void of Screen Media

Exhibition Connection Lost: Intering the Void of Screen Media 2019 University of Cincinnati, Film and Media Studies. Film 2001

Performance of Berlin: Zvizdal

Performance of Berlin: Zvizdal 2019 University of Cincinnati, Film and Media Studies in collaboration with the Contemporary Art Center

Symposium 1618 – 1918 – 2018: Cultures of War

Symposium 1618 – 1918 – 2018: Cultures of War 2018 University of Cincinnati, German Studies, Film and Media Studies, History in collaboration with the Cincinnati Art Museum. with Sigrun Haude, Tanja Nusser

Film Series Cultures of War

Film Series Cultures of War 2018 University of Cincinnati, German Studies, Film and Media Studies, History in collaboration with the Mini MicroCinema and the Esquire. with Sigrid Haude, Tanja Nusser

Exhibition: Look Up: Media Cultures of Drones and Surveillance

Exhibition: Look Up: Media Cultures of Drones and Surveillance 2018 University of Cincinnati, Film and Media Studies. Film 2008

Film Series Archives in Motion: Film Documents

Film Series Archives in Motion: Film Documents 2018 University of Cincinnati, Film and Media Studies in collaboration with the Mini MicroCinema. FotoFocus Biennale. with Matthew Bauman

Workshop Archives in Motion: Film Documents. With Amanda Curreri, Suzanne Reller, Tanja Nusser

Workshop Archives in Motion: Film Documents. With Amanda Curreri, Suzanne Reller, Tanja Nusser 2018 University of Cincinnati, Film and Media Studies. with Matthew Bauman

Panel Imaging Refugees

Panel Imaging Refugees 2018 41st Annual Conference of the German Studies Association, Pittsburgh. with Sabine Eckmann

Exhibition and Performance Kriegsrevue: Glimpses of War and the Fragmented Past

Exhibition and Performance Kriegsrevue: Glimpses of War and the Fragmented Past 2018 University of Cincinnati, German Studies, GRMN 8013, with Tanja Nusser

Film Series Farocki on War and Revolutions

Film Series Farocki on War and Revolutions 2017 University of Cincinnati, Film and Media Studies in cooperation with the Mini MicroCinema

Lecture by Sabine Eckmann: "Zero Hour": Abstract Art in France, Germany, and the US in the Wake of World War II, 1945-1959

Lecture by Sabine Eckmann: "Zero Hour": Abstract Art in France, Germany, and the US in the Wake of World War II, 1945-1959 2017 University of Cincinnati, German Studies

Artist Talk by Arne Schmitt: Looking Back Through Shattered Glass

Artist Talk by Arne Schmitt: Looking Back Through Shattered Glass 2017 University of Cincinnati, German Studies

Exhibition: Hi-Vis: Media Cultures of Drones and Surveillance.

Exhibition: Hi-Vis: Media Cultures of Drones and Surveillance. 2017 University of Cincinnati, Film and Media Studies. Film 2008

Lecture by Tobias Conradi: The Freedom to Play as the Burden to Choose

Lecture by Tobias Conradi: The Freedom to Play as the Burden to Choose 2017 University of Cincinnati, Film and Media Studies.

Screening and Panel Discussion: Sonia Kennebeck: National Bird

Screening and Panel Discussion: Sonia Kennebeck: National Bird 2017 University of Cincinnati, Film and Media Studies. Panelists Todd Herzog, Manish Kumar, Tanja Nusser

Reading by Tanja Dückers

Reading by Tanja Dückers 2016 University of Cincinnati, German Studies

Exhibition: To See Without Being Seen: Contemporary Art and Drone Warfare

Exhibition: To See Without Being Seen: Contemporary Art and Drone Warfare 2016 Mildred Lane Kemper Art Museum. Washington University in St. Louis

Lecture Series: Regarding Objects: A Survey of the Forensic Turn

Lecture Series: Regarding Objects: A Survey of the Forensic Turn 2015 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam in cooperation with KW Institute for Contemporary Art.Together with Judith Dobler, Anne Kern, Tobias Schöttler

Workshop with W.J.T. Mitchell (University of Chicago): What Do Pictures Want?

Workshop with W.J.T. Mitchell (University of Chicago): What Do Pictures Want? 2015 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam in cooperation with the Graduate Research Training Program Interart at Freie University in Berlin. Together with Frauke Surmann

Image Controversy VI with Thomas Keenan (Bard College) and Juliane Rebentisch (Hochschule für Gestaltung Offenbach) : Art, Aesthetics, Politics

Image Controversy VI with Thomas Keenan (Bard College) and Juliane Rebentisch (Hochschule für Gestaltung Offenbach) : Art, Aesthetics, Politics 2015 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam in cooperation with diaphanes

Artist Talk with Olga Lewicka: Modell Wolken. Für eine unberechenbare Ästhetik. Ein Künstlerbuch im Werden

Artist Talk with Olga Lewicka: Modell Wolken. Für eine unberechenbare Ästhetik. Ein Künstlerbuch im Werden 2014 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam in cooperation with Kunstverein L40

Lecture Series: Das interessierte Auge: Praxis und Theorie des Visuellen

Lecture Series: Das interessierte Auge: Praxis und Theorie des Visuellen 2014 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam. Together with Tobias Schöttler.

Workshop with Lutz Koepnick (Vanderbilt University): Zur Theorie und Praxis mobilen Sehens heute

Workshop with Lutz Koepnick (Vanderbilt University): Zur Theorie und Praxis mobilen Sehens heute 2014 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam

Workshop with Sabine Eckmann (Mildred Lane Kemper Art Museum, Washington University in St. Louis): In the Aftermath of Trauma: Contemporary Video Installations

Workshop with Sabine Eckmann (Mildred Lane Kemper Art Museum, Washington University in St. Louis): In the Aftermath of Trauma: Contemporary Video Installations 2014 Graduate Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam

Roundtable with Phil Collins (Kunsthochschule für Medien Cologne), Diedrich Diederich-sen (Akademie der Bildenden Künste Vienna) and Sabine Eckmann (Mildred Lane Kemper Art Museum, Washington University in St. Louis): Collaboration: Real Life and Mediated Experience

Roundtable with Phil Collins (Kunsthochschule für Medien Cologne), Diedrich Diederich-sen (Akademie der Bildenden Künste Vienna) and Sabine Eckmann (Mildred Lane Kemper Art Museum, Washington University in St. Louis): Collaboration: Real Life and Mediated Experience 2014 Research Training Program Visibility and Visualization. Hybrid Forms of Pictorial Knowledge at the University of Potsdam in cooperation with Vierte Welt, Berlin

Workshop: Imaging the Drone’s Vision: A Survey of its Aesthetic Qualities

Workshop: Imaging the Drone’s Vision: A Survey of its Aesthetic Qualities 2014 Graduate Research Training Program Visibility and Visualization at the University of Potsdam in cooperation with the cluster of excellence Image. Knowledge. Gestaltung at Humboldt-University in Berlin. Berlin. Together with Sebastian Meier and Moritz Queisner

Honors and Awards

2016 Talents Award for Art Criticism. C/O Berlin

2015 Shortlist for Opus Primum. Awarded by the Volkswagen Foundation for the best first publication

2016 Postdoc Fellowship. Brandenburg Center for Media Studies

2015 Franz Roh Fellowship. Central Institute for Art History, Munich

2013 -2015 Postdoc Fellowship by the Deutsche Forschungsgemeinschaft

2012 Fellowship for Gender Equity. Humboldt-Universität zu Berlin

2010 -2011 Schurman Fellowship. Cornell University

2008 -2010 Elsa Neumann Fellowship

2004 -2005 Fulbright Fellowship. Washington University in St. Louis

Research and Practice Interests

• 20th and 21st Century Literature, Film, and Art
• Media Theory and Media Studies
• Visual Culture Studies
• Memory and Trauma Studies
• Gender Studies
• Curating
• Experiential Learning and Transferrable Skills

Contact Information

Academic - Old Chemistry 728D
Phone: Phone: 513-556-3503
svea.braeunert@uc.edu